Because you can route many tracks to a physical output indicates that there is a summing node involved. Sorry to butt in here, but I just want to correct some technical facts here.įirst of all, ALL physical outputs AND internal busses in ProTools are DSP consuming summing points. I'll have to try it and see next time I'm in front of PT I suppose but in the mean time I wonder if anyone has had success with this?Ĭurrently limited to a single 192 so upping the available analog inserts from 6 to 8 would mean an awful lot in terms of utilizing the great outboard stuff that is just sitting here (without dropping a few k on another 192 instead of a pair of el8's)! Sorry to revive an older thread! But I'm trying to wrap my mind around this- it seems to me that there might be a way to gain a couple of analog inserts back via this method. Ross Hogarth wrote on Tue, 22 April 2008 11:45 The digital mix into the avocet and then using the avocets converter is way more accurate This way i am not listening to the mix coming out analog from the 192 I then listen out of my Dig 1/2 to my dig input on my Avocet You can then print your mix onto the new track, punch in changes (as someone else mentioned) and STILL have the benefit of the 48bit mixer. Assign an input for the AES in the IO setup window.Ĭreate a new track, set the input to the AES input and set the output to anything other than A 1-2 (so you won't get a feedback loop). Mult A 1-2 to Analog out 1-2 AND AES in the IO setup window. Record that onto a new track.Ī handy little feature about the 192 IO, you can plug the AES output INTO the AES input and not have any clock sync problems.

Instead of mixing to a bus, try mixing to an output like Ross suggests. A 1-2, A 3-4, etc.) are 48bit, Aux busses (within the DAW, i.e. One thing to remember when mixing to a BUS instead of an output.

Etch-A-Sketch wrote on Mon, 21 April 2008 20:35

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